This "panorama" is contrived by taking a photograph looking south
down Whitehall and another photograph looking eastward along Alabama Street.
These two photographs were essentially taken from the same spot: the northwest
corner of Alabama and Whitehall streets.
From his vantage point in View Two, Barnard has simply turned
around and faced the opposite direction to take the photo on the right, and
has turned about 45 degrees to the left to take the second photograph. The
only detail missing in the two photographs is the Connally Building and I
have drawn in a substitute to link the two photos together.
There
are so many details in the photo looking southward down Whitehall that I have
divided it into two parts.
In this first half of the picture we see many of the buildings
which made Whitehall the commercial center of Atlanta in 1864. Among them
the three-story building belonging to Beach & Root, the blockade-running
cotton brokerage which operated a line of 12 steamships and had 11 warehouses
across Atlanta. Holbrook's Hat Emporium was located by the giant hat out on
the sidewalk, while the horse's head on the building behind it indicated the
Mitchell & O'Connor saddlery shop in the basement. Markham's "Iron
Front" - formerly known as Parr's Hall - had many commericial spaces
to rent. On the iron column at the southwest corner of the intersection is
another one of those posters that is discussed in the "Mysteries"
section.
Inset A is a sign painted at the top of the
building which apparently is next to the Markham building (it is difficult
to tell due to the flat perspective of Barnard's camera.) I have found no
merchant with a first initial "H" whose last name begins with "BR"
so it is not known to whom this in in reference.
Inset B shows the partial name of "J.W.
He(w)" written on the Alabama Street side of the Markham Building. Again,
I have found no information about this person or his business. Equally mysterious
is the sign painter, a man apparently named Merkle?)
Whatever business Mr. J.W. had, either his office or the one
next to it has been commandeered during the occupation by the U.S. Sanitary
Commission, which - as seen in Inset C - has posted a sign
across two of the decorative iron columns. Because it is difficult to read
the sign at such an angle, I have tried to recreate the lettering at a slightly
less acute angle.
In Inset D, we see that there was a stairway
here that led down to the lower floors, where there was apparently room for
other shops as well as, presumably, storage for the spaces above.
Inset E. shows that a paved crosswalk (highlighted
in the inset) existed between the west and east sides of Whitehall Street,
which presumably was greatly appreciated by the women of Atlanta, whose skirts
would have otherwise gotten wet or dirty as they visited the various stores
along this block.
Inset F shows a block of buildings which have
signs which can almost - but not quite - be read. Perhaps the technology exists
to make these signs clear, but it is unavailable to me. Among these signs
is probably one for the bookshop run by Samuel Richards and his brother, Jabez.
Postwar advertisements of the buisness, giving the street address, would place
it about here on Whitehall in the 1860s. Richards' diary of wartime events
in Atlanta during the war and its siege and bombardment is a primary source
for many scholars of the period.
This
is the east side of Whitehall Street looking south from Alabama Street. Hunter
Street cuts across at about the center of the picture. Among the buildings north
of that intersection should be the Herring "Glass Front" Building,
which, according to contempory newspaper ads was located at 40 Whitehall. The
building housed H.W. Herring & Son's fine clothing store, along with several
other businesses.
One of those was J.K. Hagen & Co./ The Planters and Mechanics
Dry Goods Store. Inset A shows a sign which must be for that
concern; certainly the only legible word on the sign appears to be "mechanics,"
but the rest of the sign can be made out with some effort.
Inset B shows a damaged building further down
the street, near the intersection with Mitchell. Also within Inset B is what
many scholars seem to agree was a shoe factory which either was a private
concern that made shoes under Confederate contract or was directly owned by
the government. Inset D shows the sign for the factory more clearly.
Inset C, shows a sign which is mounted on a
building on the southwest corner of Hunter and Whitehall. This sign clearly
says "dentist" but the smaller writing above is not so legible.
I personally believe from my research that this is the for the offices of
doctors Samuel Hape and Arthur Ford.
Inset E is the second giant boot we have seen.
The first was in front of the Dimick, Joyce store seen in Picture
V1-4. This, however, was described in newspaper ads as the "mammoth
boot" of F.M. Eddleman and Brothers, sellers of "boots, shoes, leather
and findings"
Inset F shows several things, beginning with
a smashed gas lamp. It has been knocked askew and the casing around the mantle
has been severely twisted and bent. It is known that Solomon Luckie, a popular
free black barber, was leaning against a lamppost on the east side of Whitehall
Street when a shell exploded nearby and a fragment struck both the lamp and
Luckie, who soon afterwards died of loss of blood. That lamp post has always
been described as on the "James Bank" corner, that is the northeast
corner of Whitehall and Alabama. That lamp post is visible in Picture
V3-2. Although it also is damaged, it does not show the amount of
damage as this one does. The lamp by which Luckie was wounded has been venerated
for several years, but I wonder if the correct lamp has been identified.
Also seen in Inset F is an outdoor scale of
the kind of grocer would use. G.W. Jack sold fruit, toys and candy on the
east side of Whitehall between Alabama and Hunter. A woman named Mrs. Knox
ran a millinery shop above Jack's store and it appears that the sign beside
the scale reads "Millinery."
Inset G provides a close-up of the damage
left behind from a building which apparently has been razed or leveled. Although
this may have been done by artillery fire, it seems that the lot has been
well cleared, something neither citizens under seige or occupying foces would
seem inclined to do. This store is very nearly across the street from where
Richard's bookstore
should
have been located and he mentions a fire that damaged a building across the
street in May 1862; perhaps it was this building.
One final detail about this picture, and that is the street
poles. A person looking at Barnard's photos carefully will see these poles
in virtually every picture, yet I cannot explain their function. They do not
seem to be poles for street signs, since they appear at regular intervals
and not always at intersections. They would not seem to be poles for telegraph
wires, since they lack insulators and the only telegraph I know of in the
city was strung to the Gate City Hotel, seen in Picture V3-2.
This
is Alabama Street looking east from an elevated position somewhere near the
northeastern corner of its intersection with Whitehall. Barnard has turned his
camera about 45 degrees eastward from his position in Pictures V3-1a
& b. It is actually one half of a stereogram and I have
chosen to annotate that half which offers the most details.
In the photo we see that a ladder has been placed against one
of the street posts seen in several photos, possibly to help Barnard take
these elevated shots. We also see three soldiers positioned in the street
in an approximation of "parade rest." The other soldiers in the
picture are moving at their ease, so possibly these three soldiers have been
assigned to Barnard and are assisting him with crowd and traffic control as
he takes these photographs. The building at the extreme left is the James
Bank Building. We can only see the buildings on the south side of Alabama
Street, but it is known that beside the James Bank building on north Alabama
stood the old Holland House hotel and, further down, a series of warehouses
- possibly those used by the Confederae army as its commissary depot.
On the corner of the James Bank building are a couple of the
posters we have been seeing all over town and which are discussed in greater
detail in the "Mysteries"
section. We also see the street lamp at the northeast corner
of Whitehall and Alabama; the one by which Solomon Luckie was supposedly standing
when the free black barber was fatally struck by a richocheting shell fragament.
Although it is damaged, it is not so heavily damaged as one further down Whitehall
and seen in photo V3-1b.
This photograph looks very far down Alabama Street, all the
way into the Macon and Western Railroad yards. In Inset A we see a very tall
wooden framework, possibly for a warehouse. It is not finished, leaving us
to wonder if it was under construction or had been partially dismantled to
supply the occupying troops with firewood or shelter.
Inset B shows in better detail one of the two
masts we see in the photo. This one is located somewhere to the southeast
of the main part of downtown; the other is atop the Franklin Printing House
(Inset C), already one of the tallest structures in town.
These masts are discussed in greater detail in the "Mysteries"
section. Franklin Printing was one of the largest publishers
in the state and had two steam presses custom-made by the Noble Bros. in Rome.
Its building also housed several other commercial interests, including the
Stonewall Insurance Co. and Inman Cole & Co. Grocers.
Inset D shows a detail of another commerical
building, the name of which I have not been able to determine. Like other
buildings in Atlanta it played host to several diverse businesses. In addition
to the furniture store advertised at the top of the building, it also was
host to the offices of "J.C. Hendrix" (Inset E),
whose profession was listed as "trader" in the postwar Barnwell's
city directory.
Inset F shows the offices of the Centrai Rail
Road Banking Agency, an institution created by the founders of the Macon and
Western Railroad to
finance
their venture. After considerable study I am led to beleive that this was also
the location of the Bank of Fulton, the only bank in Atlanta to survive the
war and which in the modern day is known as Wachovia Bank.
Inset G shows a telegraph pole standing near
the Gate City Hotel (Inset I), which served as the headquarters
of the Confederate Army Signal Corps until the Federal artillery bombardment
in August, 1864. Even before that, the hotel was the only place in town that
i have found that people could send and receive telegrams.
Inset H shows the signage atop the Planters
Hotel, which stood beside the Gate City Hotel, although separated by Pryor
Street (which did not, incidently, continue past this point across the Railroad
Gulch, but resumed at Decatur Street.) The sign on the left appears to advertise
a restaurant called "The New Eating House"; the sign on the right
appears to call attention to the "Atlanta Billiard Hall" two pastimes
presumably enjoyed by hotel clientele.
Finally, Inset J points out the location of
Sion B. Robson's Grocery and Produce store, located almost at the end of the
street, near its intersection with Loyd.